Our Women on the Ground: Arab Women Reporting from the Arab World (ed. Zahra Hankir)

Our Women on the Ground - on the ground

a nutshell: an extraordinary, ground-breaking, and pulsingly intimate collection of essays by 19 Arab women journalists – rather than meeting my high expectations, it soared above & beyond them

a line“We don’t publish the picture. It’s too graphic, and people are too sensitive. Those of us who count as people, with sensibilities” – Natacha Yazbeck

an image: born in Iraq and raised in Hull, Hind Hassan recalls many beautiful scenes of hospitality in the unlikeliest circumstances during assignments in her homeland, as well as a memory from the Iraqi community in which she grew up: a friend secretly slipping in & out of an ajar window to clean and cook for the whole family while Hind’s mother was having birth complications

a thought: I was fascinated by Egyptian journalist Lina Attalah’s reflections on her journey towards activating a “belated lens on gender” in her work, particularly her thoughts on the duality of selves (in the family home and the “street home”) and on power both inside & outside the newsroom – its complexity and, at times, invisibility

a fact: many of the women’s stories include the trauma of losing family, friends and colleagues to conflict zones or political repression, and it’d be remiss not to mention the very real risks they face just for doing their job – I hope their voices resound worldwide

N.B. Amira Al-Sharif’s chapter Yemeni Women with Fighting Spirits is my recommendation for writing by a woman from Yemen; as its title suggests, it’s a unique insight into resilience and empowerment in even the most trying conditions

want to read Our Women on the Ground? visit here

Elsewhere Home by Leila Aboulela

a nutshell: folding back & forth between Sudan and Scotland (as well as the occasional glimpse of Egypt, England & the UAE) these 13 short stories unveil a little of how it feels to forge a new life far from one’s homeland

a line: “I breed a new fear of not knowing, never knowing who these enemies are. How would I recognise them while they can so easily recognise me?”

an image: in ‘The Museum’ a Scottish classmate invites Sudanese student Shadia along to an exhibition about Africa (alarmingly vague as that is), where she quickly realises nothing represented her or what she missed about home – it was all merely Europe’s version & clichés about Africa, old and cold

a thought: in several of her stories Aboulela presents relationships in which two people are at odds in approaching their cultural contexts; at one point in ‘The Ostrich’ Majdy tells his wife that if she covers her hair in London they will think he is forcing her to, while she recalls her past in Sudan as a “freer woman”

a fact: Aboulela, who grew up in Khartoum and now lives in Aberdeen, won the 2000 Caine Prize for African Writing for ‘The Museum’

 

want to read Elsewhere Home? visit here