Elena Knows by Claudia Piñeiro (tr. Frances Riddle)

yellow book cover with woman's head on it, held against red background

a nutshell: over the course of a single day, an elderly Argentinian woman’s gruelling (and gripping) pursuit of answers about her daughter’s death leads to a revelation she never sought

a line: “Are you your brain, which keeps sending out orders that won’t be followed? Or are you the thought itself, something that can’t be seen or touched beyond that furrowed organ guarded inside the cranium like a trove?”

an image: the depiction of Elena’s deaf body – owing to late-stage Parkinson’s disease – surrounded by deaf ears was one that stuck with me, conjuring the somewhat overwhelming and oppressive notion of feeling ignored both internally and externally

a thought: yes this book delves into what it means to have control over our bodies, but it also goes deeper – powerfully exploring forces of control over our minds and the disasters that can ensue from thinking we Know when in fact we merely Believe

a fact: at the end of 2020, Argentina’s Congress legalised abortion (catalysed by the mighty ‘green wave’ women’s movement), marking an historic step forward in a region where termination laws are among the world’s most restrictive

want to read Elena Knows? visit here

Permafrost by Eva Baltasar (tr. Julia Sanches)

blue cover with woman resting head on hand, lying against furry blanket

a nutshell: written by a Catalan poet, this debut novel chases the erratic thoughts of a gay suicidal narrator as she flits from one place (or person) to another

a line: “We’d met by chance, and if there’s one thing I believe in, it’s chance. Despite the Herculean efforts of new religions to deny it, chance continues to exist”

an image: almost too many to choose from! I was especially moved by how the narrator describes doubt (fanned by her parents) as the first chink in the permafrost, that is, the thick layers of defence mechanisms she built to survive

a thought: perhaps contrary to expectations, this book manages to be both fiercely funny and emotively frail – I found it a compulsive read

a fact: in her illuminating afterword, Sanches notes that Baltasar’s story began as a prompt in a therapy session and spiralled into a fictional work from there, which sheds light on Permafrost‘s ‘searching’ quality

want to read Permafrost? visit here

Notes from Childhood by Norah Lange (tr. Charlotte Whittle)

pink and blue book cover with corner of woman's face

a nutshell: this ethereal web of memories gives a glimpse into the writer’s intriguing childhood in early 20th-century Argentina

a line: “I began to wonder if it was really true that by night I was dead”

an image: I loved the way Lange described her zeal with the aesthetics of words – the tangled letters and stiff downstrokes of ls and ts

a thought: many passages dealt strikingly well with the weird unpredictability of responses to trauma, such as how she feared smiling when confronting harrowing moments

a fact: Lange was a key figure in the Argentine avant-garde of the 1920s/30s, and this 1937 memoir was her first major success

want to read Notes from Childhood? visit here

Migratory Birds by Mariana Oliver (tr. Julia Sanches)

migratory birds book with cranes silhouettes against rusty orange background

a nutshell: meditating on movement – both through places and time – this is a debut collection by a Mexican essayist, often with a lens on Berlin (where she lives)

a line: “fear is more contagious and lethal than any virus or bacteria”

an image: in the titular essay (the piece I enjoyed most) Oliver describes Bill Lishman’s flight to assist the migration of whooping cranes, describing the birds as charcoal strokes across the sky

a thought: in ‘Cassandra’, Oliver writes that Christa Wolf knew wars begin with language – feels like an apt observation amid the current preoccupation with ‘culture wars’ in corners of UK society

a fact: Oliver wrote that in the German language, ‘ss’ in the spelling of certain words e.g. Strasse, was replaced with an Eszett ‘ß’, e.g. Straße, to avoid painful associations with the Nazi regime, but I couldn’t verify this on googling!

want to read Migratory Birds? visit here

Strange Weather in Tokyo by Hiromi Kawakami (tr. Allison Markin Powell)

strange weather in tokyo cover with girl in red dress on cover

a nutshell: this atmospheric novella follows Tsukiko’s blossoming connection with a former teacher after an encounter in a local bar

a line: “the harder I tried to see, the less sure I was about anything”

an image: at one point Tsukiko sits on a tree stump while mushroom-hunting and grows aware of how alive the undergrowth is – bugs, birds, even the breath of the larger animals inhabiting the deeper forest

a thought: I loved Kawakami’s mastery in depicting emotional turbulence, for instance while grieving the prospect of romantic love Tsukiko bursts into tears when she breaks an apple skin while trying to peel it the way her mother did

a fact: this book’s title in the US is ‘The Briefcase’, more accurately reflecting the Japanese title which apparently translates more or less to ‘Sensei of the Briefcase’ (Sensei is a Japanese term used to address a teacher, which is what Tsukiko calls her companion)

want to read Strange Weather in Tokyo? visit here

10 Favourite Books in 2020

10. Eve Out of her Ruins by Ananda Devi (tr. Jeffrey Zuckerman) – Mauritius

This novel was among the deliveries from the biiiiig Better World Books order I placed in March just as Melbourne’s earlier phase of restrictions began – and wow, it was a compelling distraction. It’s a short, harrowing story of four teenagers trying to survive the violence of their neighbourhood in Port Louis, Mauritius’s capital. I follow the translator, Jeffrey Zuckerman, on Twitter and had high expectations for this book. It surpassed them.

9. Teaote and the Wall by Marita Davies, illustrated by Stacey Bennett – Kiribati

The arrival of this extraordinary book was a rare and much-needed source of excitement deep into Melbourne’s second (ultra intense) lockdown in September. I came across Australian/Kiribati writer Marita Davies’s work while researching writers from the Pacific and was instantly keen to read this story of a child confronting life on the frontlines of the climate crisis. The importance of climate-related books – especially for younger generations – goes without saying, particularly during a week when extreme weather and coastal destruction yet again dominates headlines in Australia.

8. The Greenhouse by Auður Ava Ólafsdóttir (tr. Brian FitzGibbon) – Iceland

It was a wintry evening in May when I read this gentle novel with my first foster cat on my lap (three more would follow across the two lockdowns!). The story very much transported me along the protagonist’s journey from his Icelandic home to a monastery rose garden in need of loving care. Quiet, slow and meditative, it felt like exactly what I needed at that point of this fast-paced and barely fathomable year.

7. Trans by Juliet Jacques – United Kingdom

I ordered this book in Verso’s December sale a year ago and read it as soon as it arrived in January. Juliet’s memoir is an incredibly honest account of the years that led up to her transition, weaving in many insights into the world of gender politics. The media industry comes across terribly and I wish things had progressed since, but I write this in the wake of two very transphobic opinion pieces in the Sydney Morning Herald. [PS: if you’re looking for stunning fiction by a trans writer, I recommend jia qing wilson-yang’s Small Beauty which I borrowed from Yarra Libraries a few weeks before this memoir.]

6. Cockfight by María Fernanda Ampuero (tr. Frances Riddle) – Ecuador

This story collection came as a highly anticipated gift from Santiago-based translator Natascha Bruce for #WITMonth Book Swap, organised by Meytal Radzinski in August. When the book was first recommended to me I was slightly tentative, given the focus on domestic abuse, but I’m really glad I read it – mainly for how astonishingly powerful a writer Ampuero is. I had been struggling to engage fully with books at the time (14 weeks into Melbourne’s second lockdown) and this collection shook me out of the stupor.

5. The Magic Doll by Adrienne Yabouza, illustrated by Élodie Nouhen (tr. Paul Kelly)Central African Republic

As it was only published in September, this was one of the very last books I read for my project – and it was, without a doubt, the most visually beautiful. It’s one of two children’s books featuring on my 2020 top ten (the other being Teaote and the Wall) and I think there’s something to be said for taking time away from screens/small font just to enjoy wonderful imagery and storytelling in fewer words. Narrated through the eyes of a young girl, the book follows a mother’s process towards getting pregnant and giving birth through the support of a Akua’ba fertility doll. With these important words and expressive images, this book was totally worth the wait.

4. A Spare Life by Lidija Dimkovska (tr. Christina E Kramer)Macedonia

This was among the most immersive books I sank into this year. After hearing only good things, I read Dimkovska’s novel between Melbourne’s two lockdowns while I was on a weekend trip to the Dandenong Ranges and predictably got pretty lost in the pages! The story is told by a conjoined twin raised in Skopje, who is venturing towards personal independence and romantic love – through communist Yugoslavia and further afield. A memorable book that has stayed with me.

3. The Cost of Sugar by Cynthia Mcleod (tr. Gerald Mettam)Suriname

This book was bound to be in my top three of the year – I was completely addicted to the story back in early March. We were still working in offices at that point, and I was reading it right through my lunchbreaks. In fact, my review reminded me that a colleague even comforted me one break when I was visibly upset by a plot twist! Set in the 18th century, it’s a tale of love and cruelty under the chief sugar colony for the Dutch Empire. I’ve recommended it to friends since and apparently they’ve been 100% absorbed by it too!

2. In the Time of the Butterflies by Julia AlvarezDominican Republic

When people ask me about my very favourite books since I began this blog, In The Time of Butterflies always springs to mind. The story reimagines the lives of the four Mirabal sisters (‘The Butterflies’, or ‘Las Mariposas’) who symbolised hope and defiance during their country’s dictatorship from 1938 to 1994. To quote my own review, “my life was essentially put on pause while I was reading it”. It was also a great chance to learn more about the women whose legacy sparked the 16 Days of Activism – a campaign that I focused on promoting in my human rights work.

1. Cantoras by Carolina de RobertisUruguay

There’s no way to put into words quite how much I loved this novel. Set at the time of the Uruguyan dictatorship in the 1970-80s, this is a breathtaking story about five women who together explore the ways we can love one another – from erotic passion to close friendship to unconditional familial love. The book not only made me laugh and cry, but also left me fundamentally wanting to become a better reader and writer. If this sounds hyperbolic, take a look at the book’s Goodreads page – I’m far from the only one who was profoundly affected by Cantoras!

Read my full list of reviews since mid-2018

Le Déserteur by Hélène Kaziende

Text of Le Deserteur against blue sky

a nutshell: in a letter addressed to Africa from Samzi Dikinfa of Erquifa, this short yet immensely powerful piece of prose shares an insight into the complexities around why someone might leave a homeland – not necessarily by choice

a line: I’m leaving, tired of aborted promises and murdered suns” (“je m’en vais, lassé des promesses avortées et des soleils assassinés”)

an image: I found myself moved by the portrayal of being surrounded by ‘professional’ drunks, while the self-described deserter thirsts not for alcohol but rather for a bit of justice and freedom

a thought: I wondered whether there was any significance to the date of the letter, 15 August 1990, and discovered through the internet that it was on this day that at least 150 people were killed in clashes between the African National Congress and Inkatha Freedom Party, South Africa

a fact: this story won a prize in a competition by radio station Africa No. 1 and features in the 1992 collection Kilomètre 30, which I managed to get a copy of through Better World Books – its arrival was quite poignant, as it was the very final book to arrive for my entire project

want to read Kaziende’s writing? visit here

Poèmusiques by Fatoumata Keïta

please note I read Keïta’s poetry in her original French, so anything ‘lost in translation’ is down to my slightly rusty French!

a nutshell: excerpted from A Toutes les Muses (Mandé Editions), these poems by Malian writer Fatoumata Keïta evoke a lyrical, intimate sense of the hopes, illusions and emotions coursing through the poet

a line: “I invite you into my temple, friend | into the rooms of my firm pen” (“Je t’invite dans mon temple, ami | Dans les pièces de ma plume affermie”) – ‘These Blows’

an image: shaped with exquisite precision as a diamond, Keïta’s poem ‘Rebel Sword’ conjures visceral scenes of earthworms and dust to bring us up close with the mortality we all have in common – I (whether wrongly or rightly) interpreted this poem as an allusion to the Tuareg Rebellion

a thought: I was moved by the poem ‘Tears’, particularly the contrast drawn between the flood of tears and the aridity of harsh times, which prompted me to learn more about the geography of Mali – I learned it’s among the world’s hottest countries with frequent droughts, and the climate crisis has exacerbated conflict over access to water & land

a fact: born in 1977 in Baguinéda, near Mali’s capital Bamako, Keïta’s first job after graduating was editing radio scripts – which perhaps contributed to the amazing musicality of her poetry

want to read Poèmusiques? visit here – collection To all the Muses’ edited by Mandé Editions

As Good as Gold by Kathryn Bertine

a nutshell: this memoir follows an athlete’s attempt to make the Olympics via the beautiful dual-island nation of St Kitts and Nevis

a line: “doable, with its amazing ability to promise nothing and everything all at once, still left me in charge, I hung onto that word fiercely, to its calm positivity, its quiet hope, and its spunky little go-getter syllables”

an image: when recalling her first trip to St Kitts and Nevis, Bertine recounts Christopher Columbus’ error in believing the clouds above Nevis’s highest peak were a snowcapped mountain, hence the name from the Spanish ‘nieves’ (‘snows’)

a thought: I was moved by Bertine’s honesty about leaving her ex-fiance, an alcoholic, and her memories of how she gathered what was left of her confidence, courage & energy after realising she couldn’t rewire another person’s ‘happy button’ – I was particularly interested in her reflection about the danger of thinking if physical pain was something she could endure then why not pain of the emotional variety?

a fact: at one point, Bertine visits my home city of Melbourne for the Bloody Big Swim, an 11.3km route through the open sea, which I know *for a fact* that I wouldn’t stand a chance at!

want to read As Good as Gold? visit here

‘Labour of Love’ by Marie Flora Ben David Nourrice

a nutshell: published in 2004, this poem from Seychellois poet Nourrice reflects (I think!) a mother’s love for her child and expresses gratitude for the healing power of time

a line: “How patient I have been | Watching the pregnant moons”

an image: continuing the nature-inspired imagery, Nourrice describes heartbeats as soft as falling petals

a thought: I was delighted to hear from the poet in early September when I reached out to learn more about Seychellois writing

a fact: as shared in this interview, Nourrice is a poet, educator and curriculum development officer known as ‘Miss Flora’, who has made a significant contribution to her country over 25 years

want to read ‘Labour of Love’? visit here