a nutshell: to me, this was an incredibly profound novel about love in various forms – romantic love, love between friends, love of place, familial love – and a fascinating insight into the Uruguyan dictatorship of the 20th century
a line: “the silence of dictatorship, the silence of the closet, as we call it now––all of that is layered and layered like blankets that muffle you until you cannot breathe”
an image: I was in tears at the final conversation between Flaca and her father, and even read it aloud hours later to my boyfriend; I won’t recall it here in case I ruin it for other readers, but I found his words deeply moving
a thought: I finished this book over three weeks ago but can’t bring myself to remove it from my bedside table – there were many lines that I’m still thinking about, including Malena’s heated remark that you do not owe your parents your life
a fact: the title comes from a word for singer in Spanish but, as de Robertis shares in this interview, there’s another word, cantante, which women under the dictatorship in the Uruguayan era used as code for lesbians – the author found a resonance in how it suggests a woman will claim her life, or voice, on her own terms
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