From Timor Leste to Australia ed. Jan Trezise

Timor Leste

a nutshell: this first-of-its-kind book shares deeply personal and often gripping recollections from seven East Timorese families who ultimately made their homes in Melbourne’s City of Casey

a line: “I remember their fear, which for us children translated into terror” (Emilia, Florindo family)

an image: I enjoyed Berta’s anecdote about the first day of courtship with her husband-to-be, Luis, who mistakenly thought he should arrive in the early morning and turned up at the family home when she was out in the fields picking peanuts (Berta, Santos family)

a thought: as demonstrated above, the interviews with family members prompted a mixture of heart-rending and light-hearted memories – I learned a great deal from this book and it is a real credit to the students and community members who were involved in making it

a fact: the chronology of East Timor’s key historical events was v useful, and I was happy to see it originated from the Alola Foundation (an org I came to know through my work with IWDA) – here’s an online timeline

want to read From Timor Leste to Australia? visit here

Bahrain’s Uprising ed. by Ala’a Shehabi and Marc Owen Jones

Bahrain Uprising book against yellow wall - cover shows Pearl Roundabout

note – as this project is about reading writing by women, this review focuses on the chapter ‘Shifting contours of activism and possibilities for justice in Bahrain‘ by Ala’a Shehabi and Luke G.G. Bhatia; Shehabi is a Bahraini writer and researcher who co-founded Bahrain Watch, an NGO that advocates for accountability and social justice in Bahrain

a nutshell: this powerful chapter shares valuable insights into Bahrain’s ‘advocacy revolution’, the topography of opposition actors, and the emerging possibilities for the fight for human rights and, crucially, self-determination

a line: “the sense of self-emancipation experienced in the euphoria of mass protests can be a life-changing personal transformation”

an image: nicknamed ‘the Butcher of Bahrain‘, British officer Ian Henderson makes a brief appearance in this chapter – a figure I learned of (with horror) during my time at the Bahrain Institute for Rights & Democracy

a thought: once again, like so often happens in this project, I was ashamed of my homeland – the UK has consistently enabled the regime’s increasingly ‘acceptable’ mode of repression, for instance, as mentioned here, advising on improved discourse, better surveillance technology, fewer physical marks following torture, and fewer journalists covering developments

a fact: the authors share a bleak statistic from Eric Posner’s ‘The case against human rights‘ – 150 out of 193 countries continue to engage in torture and the number of authoritarian countries has risen

want to read Bahrain’s Uprising? visit here

‘Petty Tyrants’ by Conceição Lima (tr. Amanda Hopkinson)

Lima

a nutshell: first published in Lima’s collection Dolorosa raiz micondó (Painful root of Micondó), this poem is a short & stark impression of petty tyrants

a line: “They don’t know that clock hands are also blindly tyrannical”

an image: I was especially struck by the poet’s vivid description of petty tyrants blindfolding sparkling eyes, letting no light enter

a thought: I loved Lima’s repetitions throughout the poem, mirroring the ways in which petty tyrants themselves (meagre, narrow, slow) try to replicate what’s come before, rather than give space to progress – amplifying the echo of their perpetual childhood

a fact: born in Santana on the island of São Tomé in 1961, Lima studied journalism in Portugal and worked across radio, television & the press in São Tomé

want to read ‘Petty Tyrants’? visit here

Infidel by Ayaan Hirsi Ali

a nutshell: from Somalia to the US via Saudi Arabia, Ethiopia, Kenya and the Netherlands, this polarising public figure’s memoir follows her journey through an unimaginably turbulent childhood into an adulthood that pivots on her vocal disavowal of her former religion, Islam

a line: “Drinking wine and wearing trousers were nothing compared to reading the history of ideas.”

an image: while describing the period of her childhood spent in Mecca, the writer conjures up a strikingly vivid contrast between what she sees as the cool, beautiful, kindly space within the Grand Mosque and the intensely hot, filthy, cruel space outside the mosque’s doors

a thought: I was intrigued by Ali’s fairly understated comment on p.94 that novels were what saved her from submission – reading fiction gave her glimpses of another world, which ultimately sparked the sense of rebellion that changed her life, but once she had landed in the other world she refers only to non-fiction

a fact: Ali and I occupy very opposite ends of the political spectrum – and while I do try to read widely, which necessarily includes views I disagree with, my interest in the book waned as it went on; I felt like it became less a reflection on Ali’s life story and more an engine for promoting her hostility towards Islam

want to read Infidel? visit here

The Green Eyed Lama by Oyungerel Tsedevdamba and Jeffrey L Falt

a nutshell: beginning in 1938 and based on a true story, this novel follows a horrifying purge inflicted by Mongolia’s communist government under Soviet orders – intertwined with a complicated love story between a herdswoman and a lama

a line: “Believe me, ideas are far more powerful than guns and trucks”

an image: I was particularly moved by Davaa’s dream-state sequence as he goes to face his death – the green valley, tall meadow flowers, rainbows, his grandson, his daughter, and finally his beloved wife outside a white ger making milk-vodka

a thought: a lingering observation for me was an elderly herdswoman’s remark about the arbitrariness of borders while they were being forced to relocate after the military’s successful attack against the Japanese – the invisible lines demarcating one country from the next had been of no importance to her & her granddaughter until now

a fact: this was the first Mongolian novel to be published in the West, and the author writes that she had dreamt for years of writing the stories of her ancestors – the book ends with many pages listing those who were killed and the characters are in fact referred to by their real names

want to read The Green Eyed Lama? visit here

Running Commentary by Daphne Caruana Galizia

a nutshell: the Maltese woman writer I include in this project could be none other than Daphne Caruana Galizia, whose commitment to exposing injustice through her writing eventuated in the 2017 murder that sent shock waves across the world

a line: “It’s true that life is unfair and that much of it can’t be helped, but where I can do anything to avoid unfairness or to set it straight, then I will”

an image: I took the photo above at a vigil for Daphne in April 2018, which was one of countless global events that have kept her memory alive over the past 30 months (often with moving contributions from her sons, two of whom I had the privilege of meeting on occasion through my human rights work in London)

a thought: while reading through Daphne’s online notebook to prepare my blog post, I came across this article in which she notes that the real reason – which she had uncovered nearly a year earlier – for a US trip by the PM was at last being acknowledged as the truth, even though previously she had been badmouthed as a purveyor of fake news; I was struck by Daphne’s observation that in journalism, as in many areas in life, “you sometimes find the back-up you need a little too late” and touched by her readers’ comments at the time that they always had full faith in her

a fact: one of Daphne’s sons, Paul, has followed in her footsteps as a journalist and speaks about his mother’s murder for Tortoise’s podcast – I highly recommend a listen

want to read Running Commentary? visit here

Weep Not, Refugee by Marie-Thérèse Toyi

a nutshell: this novel follows the endless trials of a Tutsi boy, Wache Wacheke Watachoka (‘Let Them Laugh, They Will Eventually Get Tired and then Keep Quiet’), who was born in a refugee camp to a Hutu teenager raped while she fled Burundi

a line: “Nothing is static under the sun. Rain goes back to clouds, dust feeds life and returns to dust, a refugee goes back home, and a free man goes into exile.”

an image: at one moment, the child viscerally depicts their country as having vomited the refugees out of its bosom, with machetes & bullets, giving their new host nothing to love in them

a thought: there were so many aspects of this book that piqued my curiosity – from the dedication to Mr Bill Clinton to the observations about conceptual/practical intelligence (fluent in speaking French but could they eat a language?) to the eloquence with which Toyi writes of how a nose shape could trigger enmity

a fact: in 2018 I interviewed Burundian journalists running a radio station in exile while I was working with the Rory Peck Trust (under the org’s old management, I hasten to add) and was seriously moved by their stories – you can read the interview via PDF

want to read Weep Not, Refugee? visit here*

(*Sorry for linking to Amazon Kindle – it’s the only edition I could find)

The Country Under My Skin by Gioconda Belli (tr. Kristina Cordero)

Blue spine of book with title and author, blank red cover, yellow brick wall in background

a nutshell: subtitled ‘A Memoir of Love and War’, this is a stunningly rich remembrance of an acclaimed Nicaraguan writer’s involvement in the Sandinista Revolution and how she came to age as a passionate feminist in & out of exile

a line: “I couldn’t go on living if I didn’t believe in the creative powers of the human imagination”

an image: on returning to Managua after a heart-rending medical procedure in NYC, Belli presses her forehead to the plane window and realises the runway is beautifully lit by oil lamps – since recent storms had wreaked havoc, they had relied on these with the hope it wouldn’t rain

a thought: Belli’s account certainly made me reflect on social responsibility & collective joy – esp. as my partner is currently reading Lynne Segal’s Radical Happiness – but I never quite pinpointed whether her primary source of joy is herself or collaboration (sometimes she singles out the former as the key to happiness, other times the latter)

a fact: Belli’s most well-known book, The Inhabited Woman, is a semi-autobiographical novel which raised gender issues for the first time in the Nicaraguan revolutionary narratives, yet she considers herself a poet before all else

want to read The Country Under My Skin? visit here

Will and Testament by Vigdis Hjorth (tr. Charlotte Barslund)

will and testament cover with forest cabin, background blue sky and fairylights

a nutshell: this festering & frustrating book grapples with a woman’s history of family trauma, with her perpsective leaking out as an inheritance dispute reopens old wounds

a line: “My fear was irrational, it was the non-financial legacy of my upbringing. An irrational sense of guilt because I had opted out”

an image: quoting Tove Ditlevsen, a character describes the street of her childhood as the root of her being, anchoring her on a day when she was utterly lost, sprinkling melancholy into her mind on a rainy night, throwing her to the ground to harden her heart before raising her gently to wipe her tears

a thought: the narrator continually blends the personal & the political – particularly in the mirroring of her own family’s efforts at reconciliation and Western governments’ involvement in conflicts as both being hypocritical/delusional

a fact: the book sparked a real-life media furore based on the fact that Hjorth drew on her own family history (despite the subtitle ‘A Novel’) which in turn prompted a ‘rebuttal’ novel by her sister Helga Hjorth

want to read Will and Testament? visit here

Zlata’s Diary by Zlata Filipovic (tr. Christina Pribichevich-Zoric)

photo of Zlata holding her diary as book cover, wooden desk behind

a nutshell: with diary entries from Sept 1991 to Dec 1993, this is a young girl’s deeply moving, courageous & intelligent account of what it was like to have been flung into a fight for survival under the Bosnian War as it engulfed Sarajevo

a line: “They’re drawing maps, colouring with their crayons, but I think they’re crossing out human beings, childhood and everything that’s nice and normal.”

an image: as she has grown out of her clothes, Zlata has to borrow some from the wardrobe of a friend who has fled Sarajevo; she describes standing in the girl’s empty space, surrounded by broken windows & dust, saying the room is sad and so is she

a thought: the child’s simple observations hold more clearsightedness & compassion than the ‘grown-ups’ pulling the strings of politics – she comments that among friends and family there’ve always been Serbs, Croats & Muslims, questioning why politics has meddled to create separations

a fact: Zlata’s diary has now been translated into 36 languages; at one point she writes that some people compare her with Anne Frank, which frightens her as she doesn’t want to suffer the same fate – and, thankfully, Zlata does not

want to read Zlata’s Diary? visit here