Le Déserteur by Hélène Kaziende

Text of Le Deserteur against blue sky

a nutshell: in a letter addressed to Africa from Samzi Dikinfa of Erquifa, this short yet immensely powerful piece of prose shares an insight into the complexities around why someone might leave a homeland – not necessarily by choice

a line: I’m leaving, tired of aborted promises and murdered suns” (“je m’en vais, lassé des promesses avortées et des soleils assassinés”)

an image: I found myself moved by the portrayal of being surrounded by ‘professional’ drunks, while the self-described deserter thirsts not for alcohol but rather for a bit of justice and freedom

a thought: I wondered whether there was any significance to the date of the letter, 15 August 1990, and discovered through the internet that it was on this day that at least 150 people were killed in clashes between the African National Congress and Inkatha Freedom Party, South Africa

a fact: this story won a prize in a competition by radio station Africa No. 1 and features in the 1992 collection Kilomètre 30, which I managed to get a copy of through Better World Books – its arrival was quite poignant, as it was the very final book to arrive for my entire project

want to read Kaziende’s writing? visit here

Le Journal de Maya by Coralie Frei

cat on cover of kindle, black and white

[note: I read this in the original French as it is not yet available in translation]

a nutshell: at times hilariously melodramatic and perfectly ‘feline’, this diary of a five-year-old Siamese cat will have many familiar scenes for cat lovers such as myself

a line: “this is my philosophy: Patience, virtue of cats”

an image: Frei renders even the simplest of acts beautifully, such as when joy gives Maya the wings to jump and land heavily on the sink

a thought: I thoroughly enjoyed reading these observations from a cat’s perspective – particularly the comment on how humans possess the art of complicating their lives (if only we took a leaf out of our cat’s book!)

a fact: Frei is the first Comorian woman to have written a novel, and has also written poetry

want to read Le Journal de Maya? visit here

The Magic Doll by Adrienne Yabouza, illustrated by Élodie Nouhen (tr. Paul Kelly)

cover of magic doll with young girl illustrated and doll and chickens

a nutshell: narrated from the perspective of Adjoa, a young child, this exquisite book shares a deeply loving story of her mother’s journey towards pregnancy and birth through the support of a Akua’ba fertility doll

a line: “Words do not have legs, but sometimes they can run fast!”

an image: one of my favourite parts was when the mother goes to the market to buy rice, millet, yams (see a glimpse below)

a thought: without a shadow of a doubt, this is the most beautiful book of all those I’ve read during my project – on its arrival I couldn’t stop turning each page to study the drawings and I loved how the story gently portrayed a struggle which many women face globally, often in silence

a fact: Yabouza closes with some fascinating insights into the geography and history behind the story – including her relationship with an Akua’ba doll that she came across in Bangui, the capital of her home country the Central African Republic, during childhood

want to read The Magic Doll? visit here

illustrations of women in a marketplace with many fruits and stunning patterns

Moments of Nil by Flora Tavu

a nutshell: gathering poetry & short stories side-by-side, this is an accumulation of thoughts from Brunei-raised writer Flora Tavu

a line: “leave us cold with the coldness of lost hopes and dreams raining down our sanity” – ‘Unthink’

an image: a disturbing reference to a chopping board recurs throughout the pages – the first time it appears is in ‘Lullaby’, a disconcertingly gentle title for a poem that includes blood-spattered walls

a thought: on the inside flap, Tavu expresses her hope that after reading this, a reader would be able to know the person that she is – a vulnerable statement of self-exposure given the subject matter that follows

a fact: the contents of this book were written over the span of a decade and half, 1998 – 2012; at times Tavu’s mind would go blank – from three days to three months, even a year – then at other times the writing would rush out like a hurricane, she shares

want to read Moments of Nil? visit here

Back to Life by Wendy Coakley Thompson

kindle image of cover with black woman and white man embracing, lavender in background

a nutshell: through the lens of a passionate love story between a black woman and an Italian man, Coakley Thompson reflects on race relations in New York City at the very end of the 1980s

a line: “Damn it, what is it with us and them?”

an image: at one point, the characters discuss an interview with mayoral candidate Dinkins, commenting that he talks about the City as his beautiful mosaic, how all the colours make it beautiful, not about that ‘assimilationist melting pot shit’

a thought: it was interesting to read a romance – a genre I’ve not read for many years – and I learned a lot about a corner of NYC society which I had known little about through the author’s concerted contextualisation of this relationship

a fact: Coakley Thompson was driven to write this book following the murder of a 16-year-old black child in Brooklyn on 23 August, 1989 – here’s an article about it in the NYT

want to read Back to Life? visit here

Cockfight by María Fernanda Ampuero (tr. Frances Riddle)

cockfight book yellow cover against blanket floral

a nutshell: through 13 stories of extraordinary power, this steely debut from Ecuadorian writer Ampuero spotlights the ruinous & cyclical nature of domestic abuse

a line: “But it was just faith, the most pathetic of feelings. Faith didn’t do a goddamn thing”

an image: Ampuero is astonishingly talented at building tension, such as when one character describes how the presence of her friends’ father means they had to whisper and the air filled with an electric energy, wet, like when a huge storm is coming

a thought: I was bowled over time & time again by these stories, particularly their dagger-like endings, and finished the book within hours (which really is something, given that I’ve struggled to engage fully with books as we approach our 14th week of lockdown no.2 in Melbourne) – one thought that’s stuck in my head is a protagonist’s comment about vacations in these countries being all about contrasts – I have been guilty of this, a desire for contrasts, in my travels

a fact: this interview is a fascinating exploration of the mind behind Cockfight (& I couldn’t agree more with Ampuero that there’s nothing more profound than the harm your family can cause you; as she shares, “You can leave your family, I did it many, many years ago, but your family does not leave you”)

want to read Cockfight? visit here

That Other Me by Maha Gargash

book cover with eye watching, next to cat on lap

a nutshell: set in ’90s Dubai and Cairo, this gripping novel follows two young women as they try to lead their own lives – in the shadow of an extremely authoritarian patriarch

a line: “They call us weak, but how can that be when we are able to bear so much.”

an image: I particularly liked the image of thoughts clambering over one another in Majed’s head like tiny red ants scurrying, seeking to build something out of chaos – the pain inflicted by red ants felt like exactly the right image for this abusive man’s mindset

a thought: the characters’ Khaleeji identity was an ongoing focus, with the author noting it was evident in the way that Mariam’s shayla was styled, in the herbs used to stuff baby goats for a special meal, and so on

a fact: as a documentary maker, Gargash’s research & scriptwriting delved into traditional Arab societies which fed into into her novels

want to read That Other Me? visit here

Les Enfants du Khat by Mouna-Hodan Ahmed

Town beside water on book cover, sat on desk next to coffee, pencil and plant

a nutshell: this unique novel follows the life of an eldest daughter who has to grow up quickly due to her father’s addiction to khat, a hallucinogenic herb, which wreaks havoc across society – with particularly sinister impacts on women

a line: “Pourquoi sommes-nous obligés de retoucher son chef-d’œuvre? Sommes-nous plus savant que lui?” | “Why are we forced to retouch his masterpiece? Are we more knowledgeable than him?” – on female genital mutilation (FGM) and God’s will

an image: throughout this hard-hitting novel, Ahmed is unsparing in her depictions of the violence against women that exists not only within Djibouti but globally – from domestic abuse to sexual coercion to FGM

a thought: the book opens with a quote from Pius Ngandu Nkashama about African youth being at a crossroads, and this seems to be the ongoing theme of Les Enfants du Khat – the potential power of young people to generate change

a fact: I was intrigued by the beautiful image on the book’s cover and discovered it was a photo of Tadjoura, one of Djibouti’s oldest towns & an important port for many centuries; Tadjoura evolved into an early Islamic centre with the arrival of Muslims shortly after the Hijra, and is also known for its whitewashed buildings, nearby beaches, and mosques

want to read Les Enfants du Khat? visit here

Man Wortet Sich die Orte Selbst by Iren Nigg (tr. Marissa Grünes)

a nutshell: not yet published in English, this book (Wording the Places Oneself) consists of prose – from short vignettes to novellas – in which Liechenstein author Nigg explores the creative writing proces

a line: “To flirt with misfortune, allow one’s thoughts to circle it: this would never occur to children. The form of the circle isn’t meant for that… Sometimes life is winter. Nature! lets it happen. Fare well – a beautiful wish, lovely! like my cat.”

an image: I loved the description of the snow having been bejeweled by the sun

a thought: at one point the narrator poses a riddle: what is greater than God & more evil than the devil? The poor have it. The happy need it. And when you eat it, you die. (I didn’t get it)

a fact: this is Nigg’s second book and was among the 2011 winners of the European Union Prize for Literature which recognises the best new or emerging authors in the EU – I read a translated excerpt through the website

want to read Man Wortet Sich die Orte Selbst? visit here

Stories from the Gambia by Sally Sadie Singhateh

a nutshell: with titles such as ‘Evil Begets Punishment’ & ‘It Does Not Pay to Be Greedy’, these three short stories for children come with clear moral intentions, but also captivating illustrations and glimpses into Gambian culture

a line: “But readers, no matter how long something takes, it always comes to an end” (a reasurring line given our current lockdown)

an image: a black cobra starts to talk to a young woman, Morai, and turns out to be the world’s most powerful (and evil) sorcerer Baiankaya

a thought: though I wasn’t entirely onboard with the way in which women are depicted in these stories, I’d be keen to read Singhateh’s novella The Sun Will Soon Shine about an ambitious & resilient woman

a fact: born in 1977, Singhateh also writes poetry

want to read Stories from the Gambia? visit here