a nutshell: set in a Dagestani village, this incisive novel explores conflicts between tradition and modernisation through the lens of tussling approaches to marriage – it’s a love story with more twists & turns than most
a line: “Without mutations though,” I interrupted, “there is no evolution.” Total silence.
an image: just before our narrator Patya interrupts (above), we’re subjected to the Wahhabi fundamentalist Timur’s sermon on how Western vice causes mutations that lead people astray – “especially girls, with their weaker minds”
a thought: Sufism is an essential subtext of Bride and Groom, with the plot resembling the path of a Sufi to the Absolute and interweaving various Sufi symbols (wine, the sea, a dot); one must seek complete knowledge of being and ultimately merge with God
a fact: Ganieva published her first fictional work (Salam, Dalgat!) under a male pseudonym, revealing her identity at the 2009 awards ceremony of the prestigious Debut Prize which she won
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