a nutshell: set in a village in the Republic of Guinea, this powerful play sets out to combat all forms of violence against women and remove political/legal barriers to women’s full participation in decision-making
a line: “N’est-ce pas comme un objet qu’on achète et dont on se sert pour le jeter ensuite?” | “Isn’t it like an object that we buy and use then throw it away?”
an image: at one point Soro (from the older generation) says his father liked to say a woman is like a goat – if you play with her, she’ll bite you one day, so a husband must always make them fear him and never laugh with them since they are devils
a thought: the playwright highlights the immense pressure on women to give their husbands sons, i.e. heirs, and how this makes them ‘true women’ – Mariama’s attempt to convey that it wasn’t her fault she gave birth to daughters elicits a furious response
a fact: in the introduction Diallo shares that this subject matter was drawn from her own sister’s distress & silencing after being disowned by her husband
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